Monday, December 21, 2009

Choose a suitable design and hold to it

Choose a suitable design and hold to it

A basic structure design underlies every kind of writing. Writers will in part follow this design, in part deviate from it, according to their skills, their needs, and the unexpected events that accompany the act of composition. Writing, to be effective, must follow closely the thoughts of the writer, but not necessarily in the order in which those thoughts occur. This calls for a scheme of procedure. In some cases, the best design is no design, as with a love letter, which is simply an outpouring, or with a casual essay, which is a ramble. But in most cases, planning must be a deliberate prelude to writing. The first principle of composition, therefore, is to foresee or determine the shape of what is to come and pursue that shape.
A sonnet is built on a fourteen-line frame, each line containing five feet. Hence, sonneteers know exactly where they are headed, although they might not know how to get there. Most forms of composition are less clearly defined, more flexible, but all have skeletons to which the writer will bring the flesh and the blood. The more clearly the writer perceives the shape, the better are the chances of success.

Word Level:
ramble v. to move about randomly
prelude n. Something serving as an introduction or preceding event, occurrence

Sentence Level:
the more A, the more B
The more clearly the writer perceives the shape, the better are the chances of success.
must A, but not B
Writing, to be effective, must follow closely the thoughts of the writer, but not necessarily in the order in which those thoughts occur.
in some cases ... but in most cases .... (Category)
In some cases, the best design is no design, as with a love letter, which is simply an outpouring, or with a casual essay, which is a ramble. But in most cases, planning must be a deliberate prelude to writing.
Analogy between forms of composition and skeleton, flesh and blood
Most forms of composition are less clearly defined, more flexible, but all have skeletons to which the writer will bring the flesh and the blood.

Paragraph Level:
Cause and effect: We need a scheme to reorder the thoughs
Writing, to be effective, must follow closely the thoughts of the writer, but not necessarily in the order in which those thoughts occur. This calls for a scheme
Contrast between a sonnet ( fixed ) and most forms of composition (flexible)
A sonnet is built on a fourteen-line frame, each line containing five feet. Hence, sonneteers know exactly where they are headed, although they might not know how to get there. Most forms of composition are less clearly defined, more flexible, but all have skeletons to which the writer will bring the flesh and the blood. The more clearly the writer perceives the shape, the better are the chances of success.


Article Level:
Choose a suitable design and hold to it
= Foresee or determine the shape of what is to come and pursue that shape
= All have skeletons to which the writer will bring the flesh and the blood

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